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Class 2: Five ways to do the same thing: Variations on tracking the silver car shot Class 4: Part 1 of 2: Tracking the 'I Love Sarah Jane' opening bike shot Class 5: Part 2 of 2: Tracking the 'I Love Sarah Jane' opening bike shot Class 6: Tracking a moving camera steadicam shot with variable focal length and motion blur, and working with DPX files Class 7: Dealing with a situation where a perfect solution isn't necessarily possible. A shot is tracked with that in mind, containing motion blur, defocus, zoom, and moving objects Class 8: Another difficult shot is solved. 900 frames with film grain, noise, motion blur, rapid camera movement, and zooming, all without the benefit of any information from the shoot about lenses or measurements. A demonstration of i/tech files from Cooke Lens and how even professional lenses bend the frame when zooming, and how that can complicate tracking when the meta data is unknown Class 9: Solving a shot with extreme lens distortion by un-distorting outside of PFtrack, and coming back Class 10: A look at making use of the tracking data further down the pipeline, applying some of the tracking created so far to create a final shot Torrent downloaded from bttrove.org Sharing Widget.

At the end of the lesson, we have an environment set up and ready to go. Class 3 First off there is a quick introduction to de-lensing the plates, and getting them tracked, including a workflow for re-applying the lens distortion. Its then time to render a nice grey helicopter in the shot to see that all is working as we expect it to. Class 4 With all that in place, its time to start making the chopper look real! Step one is getting a decent metal material in there, and getting our bump and displacements working.

Here you can download fxphd mog212 Shared files found Uploaded on TraDownload and all major free file sharing websites like 4shared.com, uploaded.to, mediafire.com and many others. Just click desired file title, then click download now button or copy download link to browser and wait certain amount of time (usually up to 30 seconds) for download to begin. If file is deleted from your desired shared host first try checking different host by clicking on another file title.

The VPN will use PFTrack 4.1 and how how to use objects to track shots that cannot be tracked with conventional methods, as well as how to use the new i/tech files from Cooke Lens with PFTrack. 14 principles of management ppt. Professor: Victor Wolansky (victorw) Class 1: Doing a poor man's motion capture with multiple cameras referenced together to create a point cloud of the performance, and a look at what's to come throughout the course, including the 'most difficult' shot Professor Victor Wolansky has ever done! Class 2: Five ways to do the same thing: Variations on tracking the silver car shot Class 4: Part 1 of 2: Tracking the 'I Love Sarah Jane' opening bike shot Class 5: Part 2 of 2: Tracking the 'I Love Sarah Jane' opening bike shot Class 6: Tracking a moving camera steadicam shot with variable focal length and motion blur, and working with DPX files Class 7: Dealing with a situation where a perfect solution isn't necessarily possible. A shot is tracked with that in mind, containing motion blur, defocus, zoom, and moving objects Class 8: Another difficult shot is solved. 900 frames with film grain, noise, motion blur, rapid camera movement, and zooming, all without the benefit of any information from the shoot about lenses or measurements.

We will do object tracking, putting a 3D car over an existing car shot and track it. The course will also cover tracking a face and then using the point cloud to help modeling the replacement face. The insanely complex Sarah Jane 'bike shot' will be solved -- this is a shot that drove several fxphd professors crazy for almost a whole week. The VPN will use PFTrack 4.1 and how how to use objects to track shots that cannot be tracked with conventional methods, as well as how to use the new i/tech files from Cooke Lens with PFTrack. Professor: Victor Wolansky (victorw) Class 1: Doing a poor man's motion capture with multiple cameras referenced together to create a point cloud of the performance, and a look at what's to come throughout the course, including the 'most difficult' shot Professor Victor Wolansky has ever done!

Class 9 We do a comp of the shot now, and figure out what plates we need to add in there to really sell it. We then shoot those in the studio and comp them in! This could also include rendering out particles for exhaust pipes and other details. Class 10 Finishing the shot! Get the last elements in there. Touch up the plate. Camera shake.

Class 5 Next step in shading the helicopter is to get basic colors on there, as well working on speculars and reflections, which will really sell the shot. After this lesson, the helicopter should feel like it is actually in the shot! Class 6 Time for color. We start adding color and decals to the bird. This will involve going back to our spec and bump maps, making sure we can feel the difference in surface qualities.

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Class 7 Dirty her up. We add weathering, wear and tear.

They are all our friends!

A demonstration of i/tech files from Cooke Lens and how even professional lenses bend the frame when zooming, and how that can complicate tracking when the meta data is unknown Class 9: Solving a shot with extreme lens distortion by un-distorting outside of PFtrack, and coming back Class 10: A look at making use of the tracking data further down the pipeline, applying some of the tracking created so far to create a final shot Torrent downloaded from bttrove.org.

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FxpHD - Photorealism in VRAY for Maya VRY302 .MP4, AVC, 1800 kbps, 1440x900 English, AAC, 64 kbps, 2 Ch 5.2 hours + Project Files 6.47 GB Instructor: Peter Hartwig This course focuses on using vray for maya to create a photo realistic scene from a-z. We start by covering set work, making sure our reference, hdri and other details are in perfect order, so we can create a perfect match in maya when we get back to the office. From here, its all about shading, lighting, details and more details, before moving into comping the shot, fixing the plate, shooting extra element plates on gopro cameras, and finally delivering the shot. You will be guided through this by freelance vfx artist Peter Hartwig, who has worked on films, tv and commercials all over the world, at places such as Ghost, Framestore and MPC. Course syllabus Class 1 Intro: we have a look at what it is we will be doing.

This also includes scratches, exhaust burns, dust and other good forces of nature that has played a part in the helicopters life. We are now entering realism! Class 8 Peter was once told by a supervisor on a show he worked on: now it looks real. Go ahead and make it look good. This is what we do now. Add kick lights, bounces, and everything else we can come up with.

Description Victor Wolansky's intermediate PFTrack course has been a continual favorite at fxphd and he'll be building upon it with an advanced 3D tracking course. In this term we will take 3D tracking beyond the basics. We will see not only camera tracking, but also motion capture, plus even more 'impossible to solve' tracks. This will be combined with a lot of practice and advance techniques. We will do object tracking, putting a 3D car over an existing car shot and track it. The course will also cover tracking a face and then using the point cloud to help modeling the replacement face. The insanely complex Sarah Jane 'bike shot' will be solved -- this is a shot that drove several fxphd professors crazy for almost a whole week.

Size: 183.72 GB Files: 77 AddTime: 2011-09-21 12:06:14 Popularity: 165 • FXPHD - AFX205 - AFTER EFFECTS MOTION GRAPHICS - II.iso 2.46 GB • FXPHD - AFX213 - AFTER EFFECTS BROADCAST DESIGN WITH RED GIANT.iso 2.11 GB • FXPHD - AFX215 - AFTER EFFECTS COMPOSITING FOR PROJECT ARBITER.iso 9.75 GB • FXPHD - AFX222 - AFTER EFFECTS BROADCAST DESIGN.iso 1.51 GB • FXPHD - AFX301 - A GURILLA FIMMAKERS AND COMPOSITI. TO AFTER EFFECTS.iso 5.19 GB • FXPHD - AUD101 - INTRO TO DIGITAL AUDIO POST.iso 573.93 MB • FXPHD - BKD204 - BACKGROUND FUNDAMENTALS.iso 5.21 GB • FXPHD - BKD205 - BACKGROUND FUNDAMENTALS.iso 5.50 GB • FXPHD - BKD207 - BACKGROUND FUNDAMENTALS.iso 3.17 GB • FXPHD - BKD212 - BACKGROUND FUNDAMENTALS.iso 2.99 GB. Size: 97.29 GB Files: 29 AddTime: 2012-02-16 03:06:05 Popularity: 134 • FXPHD - AFX202 - AFTER EFFECTS FOR COMPOSITORS.iso 1.15 GB • FXPHD - AFX211 - AFTER EFFECTS PROJECT - THE OPEN.iso 6.99 GB • FXPHD - AFX220 - AFTER EFFECTS BEYOND THE BASICS.iso 820.51 MB • FXPHD - AFX221 - AFTER EFFECTS DESIGN AND MORE.iso 703.93 MB • FXPHD - AUD204 - INTERMEDIATE AUDIO POST.iso 2.44 GB • FXPHD - AVD101 - AVID FOR INDIE FILM AND COMMERCIA.